“I observe how solutions are created, materials are used and props are made in the public space, as if they were architectural prosthetics. I am particularly drawn to the metallic pipes and the rails surrounding them, curved and bent structures that go around the architecture, giving a passing glimpse of an animated character.”
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16/07-01/08/2026
Mass-produced goods in stores are usually perceived as anonymous objects whose main quality lies in their practical use. However, once these objects are selected and removed from their usual contexts of production and consumption, they assume a new role, allowing viewers to observe and appreciate their individuality and form.
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28/05-13/06/2026
A homey atmosphere can be experienced through the invitation of another. Through such an invitation, one can enter a place shaped by a particular warmth of its inhabitants, expressed as care – as the ability to set oneself aside in order to be there for another. In this way, the other is welcomed by being offered one’s place, time, and warmth.
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12/03-11/04/2026
Perhaps the best furnishings and pieces of furniture are those we hardly notice at all, their presence absorbed into a quiet, reliable ease of use.
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22/01/-28/02/2026
Look at the larva on the leaf.
Look how glad it is.
It only sees green.
It only sees leaves.
And it loves to eat them.
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10/12/2025-10/01/2026
Speakers speak loud.
But some speak quietly.
Or not at all.
High fidelity is a good imitation.
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07/11-29/11/2025
This is a spa that hurts. A space where comfort is tied to unease. Where relaxation is collective, contradictory, unstable. Where muddy flowers bloom and you try, against everything, to rest.
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10/10-31/10/2025